Vinyl Vs Seamless Paper

Blue jay seamless paper.

Vinyl vs seamless paper.

Seamless paper aug 7 2015 blog james schuck shooting with seamless paper vinyl backdrops in the studio where everything is under strict control the choices of background can simplify or complicate your life. All photos courtesy of clay cook. Savage infinity vinyl backgrounds provide an ultra smooth background and have a unique matte finish that eliminates glare. It s relatively inexpensive and makes a good cost effective option.

There are three popular options at your disposal when it comes to the choice of material. Working with white seamless paper. White oct 2 2013 blog comparing backdrops ryan walsh shooting on white backgrounds shooting with seamless paper if you are a professional photographer who has done any kind of studio work chances are you ve worked with white backdrops in some form. Savage widetone seamless background paper has been around for over 60 years which means it s a go to product for pros looking to get consistent results.

I am absolutely terrified. Oct 13 2014 blog clay cook shooting with seamless paper vinyl backdrops. Similar to paper you can use longer muslin as flooring for the subject. Muslin vinyl and seamless paper.

Black seamless paper vs. And which best conveys the look you want to impart. Seamless paper is one of the most versatile types of photography backdrops. How to choose a green screen backdrop.

These strong durable backdrops work well with high key lighting making them an ideal choice for dramatic portrait and commercial photography. 26 x 12 yards 53 x 12 yards 107 x 12 yards 107 x 50 yards. When i think of the color black i think shadow darkness and fear which is similar to my mentality of shooting photography on a black background. Seamless paper isn t so much about one having inherently better qualities than the other it s about which is a best fit for the subject in front of your lens.

Seamless paper available in 26 53 86 and 107 sizes. Take your pick of collapsible backdrops seamless paper muslin or matte. Find which to choose backdrop for you self chip or expensive one. In the studio or on location a single portrait or a still life will require the least amount of material and a wider range of material choices.

Solid colors function much like seamless paper but you need to be cautious about folds in the muslin as they can be distracting from the subject.